Her story
The road that led here
Emily Schmidt makes art about the places people pass through and the memories they carry out of them. Before the two Route 66 sculptures there were school hallways to paint, a camera at a scout ranch in New Mexico, a short film about self-image, and a lot of Springfield storefront windows.
Her work moves between sculpture, painting, photography and film, and keeps returning to memory, movement and the emotional weight of everyday places. This is how one path through the Ozarks reached the Mother Road.
-
2016-17
First walls
Emily's earliest public work went up in school hallways: murals, maps, an Einstein quote for the library, and a large mosaic for the auditorium foyer, made with small teams in a summer art program.
PhotoSchool murals and mosaic -
2021
Eagle
She became one of the first young women in the country to earn the rank of Eagle Scout, a story covered by KY3, the Springfield News-Leader and the University of Missouri.
Read the coverage ↗
PhotoEagle Scout ceremony -
2022
Through the lens at Philmont
A photography internship at Philmont Scout Ranch in New Mexico put her behind a camera in big country. Her work was featured by Philmont and by Scouting Paradise Magazine.
PhotoPhilmont, New Mexico -
2023
Behind the camera
At the University of Missouri she studied Film Studies with a production emphasis and a minor in Psychology. Her capstone film, Distorted, explored men's mental health and self-image. It premiered at Ragtag Cinema in Columbia and screened at festivals in Kansas, Pennsylvania and California.
About the film ↗
PhotoStill from Distorted -
2024-25
Close to home
Back in the Ozarks she kept telling local stories: photographing the Springfield Symphony Orchestra and the Arkansas Climbing Festival, making films for the SATO48 projects, and painting seasonal storefront murals for Springfield businesses.
PhotoStorefront mural -
2026
The Mother Road
Springfield marked 100 years of Route 66 with a sculpture series, and Emily designed two of its pieces. Buzz of the Mother Road and Weathered But Not Forgotten sit on opposite sides of the same story, and the whole series won Best of Show.
See the coverage ↓
PhotoInstall day
Place
School hallways, storefront windows in Springfield, sidewalk chalk in downtown Columbia, and now a city-wide sculpture trail. Emily keeps making art where people already are.
Memory
A psychology minor, a capstone film about self-image, and a sculpture that says memory is never polished. Her work keeps asking how experience leaves its marks.
Light and motion
Film and photography taught her to work with atmosphere, from symphony halls to climbing festivals to wedding days. Neon, chrome and a glowing route line are the same instinct, aimed at the highway.
Route 66 isn't just a highway; it is a meeting point, a passageway, and a shared experience.Emily Schmidt, on Buzz of the Mother Road
This piece isn't polished or pristine, because neither is memory.Emily Schmidt, on Weathered But Not Forgotten
[Add Emily's own words: what fascinates her, what drives her, and who or what inspires her.]








